A few examples of appraisal values for
LONG AFTER DARK

• RARE "AFTER DARK" POSTER(early
  RARE "AFTER DARK" POSTER(early 20th century) A rare poster for a production of the play After Dark: A Drama of London Life in 1868 ÿby Dion Boucicault, chromolithograph, 25-7/8 x 39-1/4 in.; wood frame, 28-1/4 x 41-1/4 in., Provenance: The Ann and Joel Finn Collection; Note: The play was turned into two films in 1915, an American film After Dark starring Eric Maxon and the British After Dark directed by Warwick Buckland. Condition: laid down and card, some foxing at bottom, some small losses at edges, evident tear into word "Juggernaut", possibly trimmed slightly; frame with abrasions
• AFTER ROY LICHTENSTEIN (AMERICAN,
  AFTER ROY LICHTENSTEIN (AMERICAN, 1923-1997) MOON NIGHT 1966. Screenprint in colors, from an unknown edition size, with "Silk screened from Banner by Roy Lichtenstein for Multiples Inc." and "Chiron Press".
• VERYL GOODNIGHT (1947- ), BACK
  VERYL GOODNIGHT (1947- ), BACK FROM THE BRINK Fine Art
• Jean Coval Garro (American, b.1922),
  Jean Coval Garro (American, b.1922), "After Hours", summer landscape at dusk; oil on canvas; 15 1/2" x 19 1/2"; signed lower right. Jean Garro, lifelong Indiana resident, studied with Elmer Taflinger, Lois Sinnett, Francis Brown, and others. The prize winning artist has exhibited at numerous shows and salons. Her works hang in a number of prominent private and corporate collections.
• 1 piece. Movie Poster. "Lady in
  1 piece. Movie Poster. "Lady in The Dark." Paramount, 1944. Color litho insert format, approx. 36 x 14 inches (915 x 355 mm). A few small repairs along verso margin, a few small creases, minor dust soiling at margins. Condition B/B+. With Ginger Rogers, based on the play by Moss Hart, music by Kurt Weill and Lyrics by Ira Gershwin.
• NIGHT HAS A THOUSAND EYES.Night
  NIGHT HAS A THOUSAND EYES.Night Has a Thousand Eyes. Paramount, 1948. Insert (36 x 14"). Film noir. Short tears and minor abrasions in the margins. A-.
• VERYL GOODNIGHT (1947- ), WOLF
  VERYL GOODNIGHT (1947- ), WOLF PACK Fine Art
• WHISTLING IN THE DARK.Whistling
  WHISTLING IN THE DARK.Whistling in the Dark. MGM, 1941. One sheet (27 x 40"). For the mystery drama, the first in the "Whistling" series featuring Red Skelton. Linen backed. Expert restoration of chips and fold line losses, area of damage in upper right corner repaired. B+.
• AFTER HELEN FRANKENTHALER (AMERICAN
  AFTER HELEN FRANKENTHALER (AMERICAN 1928-2011), THE DARKER PALETTE, SIGNED COLOR POSTER, FRAME: 43-1/4 X 36-1/4 INAfter Helen Frankenthaler (American 1928-2011), The Darker Palette, Signed Color Poster, Frame: 43-1/4 x 36-1/4 in
• AFTER A LONG DAY Oil on canvas:
  AFTER A LONG DAY Oil on canvas: 26 1/2 x 21 1/2 in. Framed;
• LEDAN, Fanch, (French, 1927-):
  LEDAN, Fanch, (French, 1927-): After Hours in Paris, Serigraph, 24.75'' x 31'', Artist Proof AP 7/50, framed 36.5'' x 43.5''
• AFTER A LONG DAY Oil on canvas:
  AFTER A LONG DAY Oil on canvas: 26 1/2 x 21 1/2 in. Framed;
• AFTER ALPHONSE MUCHA (CZECH 1860-1939),
  AFTER ALPHONSE MUCHA (CZECH 1860-1939), LA NUIT, OFFSET PHOTOPRINT, FRAME: 40 3/4 X 21 3/4 IN. (103.5 X 55.2 CM.)After Alphonse Mucha (Czech 1860-1939), La Nuit, Offset Photoprint,, Dimensions: Frame: 40 3/4 x 21 3/4 in. (103.5 x 55.2 cm.)
• Herbert Bayer (Austrian 1900-1985)
  Herbert Bayer (Austrian 1900-1985) Into the Dark 1975 silkscreen signed Bayer and dated (lower right) 30 x 30 inches.
• 13 pieces. Movie Posters. (Crime,
  13 pieces. Movie Posters. (Crime, Noirs & C. - Ca. 1951-1956): "Lightning Strikes Twice!" Warner Bros., 1951. * "The Big Night." United Artists, 1951. * "This Woman is Dangerous." Warner Bros., 1952. * "Shoot First." United Artists, 1953. * "Crime Wave." Warner Bros., 1953. * "The Glass Wall." Columbia, 1953. * "Shield for Murder." United Artists, 1954. * "Naked Alibi." Universal, 1954. * "Man With The Gun." United Artists, 1955. * "Cry Vengeance." Allied Artists, 1955. * "I Died A Thousand Times." Warner Bros., 1955. * "Behind The High Wall." Universal, 1956. * "Hour of Decision." Astor, 1956. All color litho insert formats, 36 x 14 inches (915 x 355 mm). A few with small repairs to versoes, other scattered mostly light wear. Conditions B/A-, most B+/A-.
• ROBERT PUMMILL (1936-), BEFORE
  ROBERT PUMMILL (1936-), BEFORE SUNDOWN Title: Robert Pummill (1936-), Before Sundown Medium: oil on canvas Dimensions: 36 x 50 Frame dimensions: 47 1/2 x 61 1/2 x 2 1/2
• AFTER GEORGE GRAMMER (AMERICAN
  AFTER GEORGE GRAMMER (AMERICAN B. 1928), EVENING REFLECTIONS, DIGITAL PRINT IN COLOR, SIGNED AND TITLED, EDITION 16/195After George Grammer (American b. 1928), Evening Reflections, Digital Print in Color, Signed and Titled, Edition 16/195,
• Kuno H. Struck (American, 20th
  Kuno H. Struck (American, 20th Century) After Sunset Oil on Canvas signed Kuno H. Struck lower right 16 x 19 1/2 inches
• In the Paradise It is Night by
  In the Paradise It is Night by Robert Lostutter Robert Lostutter (American b. 1939). ?Watercolor on paper signed dated?1980 and titled in margin repeating info on verso gallery label; 18.75 x 19 in (framed). Daniel Jacobs and Derek Mason CollectionEx Monique Knowlton Galley Inc. NYC
• Harry Phelan Gibb (British, 1870-1948)
  Harry Phelan Gibb (British, 1870-1948) Afterglow on Loch Venachar, 1898, signature verso "H.P. Gibb/1898" and titled, oil on canvas, 23-7/8 x 36 in.; gilt wood and composition frame,
• After Rembrandt/The Night Watch/oil
  After Rembrandt/The Night Watch/oil on oak panel, 70cm x 89cm
• Harbor at Twilight (American, 1878
  Harbor at Twilight (American, 1878 - 1970) 8 x 10 inches.
• SUNDOWN.Sundown. United Artists,
  SUNDOWN.Sundown. United Artists, 1941. One sheet (27 _ x 41"). Poster for the adventure film set in Africa starring Gene Tierney and Bruce Cabot. Linen backed. Old fold lines with resulting chips and tears restored and overpainted. B.
• AFTER MARC CHAGALL 'LA LUNE NOIR'
  AFTER MARC CHAGALL 'LA LUNE NOIR' LITHOGRAPHAfter Marc Chagall, Belarus (1887-1985). Lithograph titled 'La Lune Noir' or 'The Black Moon' signed lower right and numbered lower left,13/50. Measures 20.75"H x 23.5"W framed; 18 5/8"H x 20 7/8"W paper.
• NIGHTMARE ALLEY.Nightmare Alley.
  NIGHTMARE ALLEY.Nightmare Alley. 20th Century Fox, 1947. Three sheet (41 x 81"). Features Tyrone Power and Joan Blondell . Carnival sideshow romantic love triangle film noir. Linen backed. A-.
• Harold Altman 'Afternoon Shadows'
  Harold Altman 'Afternoon Shadows' S/N Lithograph Framed- 27x36''
• THE DESPERATE HOURS.The Desperate
  THE DESPERATE HOURS.The Desperate Hours. Paramount, 1955. Insert (36 x 14"). Film noir starring Humphrey Bogart and Frederic March, directed by William Wyler. An unrestored, clean example, with lightly softened and creased corners, scattered closed marginal tears, faint scuffs and soiling. B+.
• After John Piper Church at Night
  After John Piper Church at Night with Full Moon lithograph 30cm x 35cm (11.75" x 13.75")
• AFTER ANDY WARHOL (AMERICAN, 1928
  AFTER ANDY WARHOL (AMERICAN, 1928 - 1987) 38" x 38" "Dracula" 1981. Screenprint in colors on Lenox museum board, unsigned proofs outside the edition, printed by Rupert Jasen Smith with blindstamp, New York, published by Ronald Feldman Fine Arts with inkstamp verso, unframed.
• WILLIAM LOUIS SONNTAG "AFTERGLOW"
  WILLIAM LOUIS SONNTAG "AFTERGLOW" 1865William Louis Sonntag (American, 1822-1900). Monumental Hudson River School oil on canvas painting titled "Afterglow, Massanutten Mountains," 1865, depicting a hazy river landscape in the rosy glow of sunset. Signed and dated along the lower left. Inkstamped along the verso with "Theodore Kelley Artist's Colorman," a supplier of artist's supplies. An early label from Chapellier Galleries is affixed along the stretcher. Provenance: Museum Art Exchange Inc., New York and Boston; Chapellier Galleries, New York; The Collection of Mrs. George Arden; Christie's, New York, December 6, 1991, lot 32; The Collection of an Important Minnesota Institution. Unframed; Height: 36 1/4 in x width: 56 in. Framed; Height: 49 in x width: 68 1/2 in. Condition: The artwork is in good condition considering its age and size. The painting surface is clean. There are no visible cracks to the paint layer. There is some paint loss to the extreme right edge of the canvas, and some rubbing to the edges from contact with the rabbet. There is a small triangular fragment accretion along the left edge of the artwork. There are a few scattered small areas of restoration throughout, visible under UV. There is a larger restoration to the sky, which has been patched along the verso. There is a second patch visible along the verso to the lower left quadrant of the painting; when the patched inspected under UV from the recto there are no areas that fluoresce. There is soiling and two visible patches along the verso. The canvas is not lined. There is one broken stretcher key. The modern frame is in good condition with some wear. Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• 3 pieces. Movie Posters. (Classic
  3 pieces. Movie Posters. (Classic Noirs): "Nightmare Alley." 20th-Century Fox, 1947. Color litho insert format, 36 x 14 inches (915 x 355 mm). Light edge wear, occasionally slightly dusty. Condition B+. * "The Big Clock." Paramount, 1946. Format as preceding; small repair at top verso, small crease just extending into color portion. B+. * "Pitfall." United Artists, 1948. Format as preceding; minor repairs to verso, a few creases/fissures in margins, occasionally slightly dusty. B.
• 13 pieces. Movie Posters. (Crime,
  13 pieces. Movie Posters. (Crime, Noir & C., 1956-1960): "Thunderstorm." Allied Artists, 1956. * "Blond Bait." Associated, 1956. * "Beyond a Reasonable Doubt." RKO, 1956. Directed by Fritz Lang. * "Lisbon." Republic, 1956. * "Outcasts of The City." Republic, 1958. * "Blonde Black-Mailer." Allied Artists, 1958. * "3 for Jamie Dawn." Allied Artists, 1956. * "Outside The Law." Universal, 1956. * "23 Paces to Baker Street." 20th-Century Fox, 1956. * "Man on The Prowl." United States, 1957. * "Crime and Punishment U.S.A." Allied Artists, 1959. * "Portrait in Black." Universal, 1960. 2 copies. All color litho insert formats, 36 x 14 inches (915 x 355 mm). A few with small repairs to versoes. Conditions B/A-, most A-.
• ADY, THOMAS. A CANDLE IN THE DARK.Ady,
  ADY, THOMAS. A CANDLE IN THE DARK.Ady, Thomas. A Candle in the Dark. Wichita: Stevens, 1994. Number 26 of 50 leather-bound deluxe edition copies, in cloth slipcase. 8vo. Fine.
• AFTER PIERRE BONNARD (1867-1947,
  AFTER PIERRE BONNARD (1867-1947, FRANCE) COLOREDLITHOGRAPH, TITLED "PLACE LE SOIR" DATED 1899. GALLERY LABEL ON VERSO, SIGHT SIZE 11" X 15 1/2". OVERALL WITH FRAME 18 1/2" X 23". 1/100 IMPRESSION. IN A PERIOD GOLD FRAME. CAME FROM JOHN HAMBERG ESTATE. NO VISIBLE SIGNATURE - NOT REMOVED FROM FRAME. PROVENANCE: FAY MICHENER ESTATE, NYC.
• AFTER CHARLES DANA GIBSON (AMERICAN,
  AFTER CHARLES DANA GIBSON (AMERICAN, 1867-1944)AFTER CHARLES DANA GIBSON (AMERICAN, 1867-1944) The Eternal Question An early reproduction print after the 1903 original "Gibson Girl" portrait regarded to be profiling Evelyn Nesbitt, her updone hair forming a question mark. Behind glass, dark wooden frame. Image: 16 1/2 x 8 in. (41.9 x 20.3 cm.), frame: 25 1/2 x 20 3/4 in. (64.8 x 52.7 cm.)
• LESLIE ALLEN LERNER (1949 - 2005):
  LESLIE ALLEN LERNER (1949 - 2005): THE LIGHT OF EVERY GOODNIGHT1989; mixed media on canvas; signed, dated, and titled verso; 60 x 108 inches; 63 x 111 inches frame Condition: